<
>
espacio #1 - galería
space #1 - gallery
<
>
FERNANDO BRYCE - LOTTY ROSENFELD - CADA
POLÍTICA DE GESTOS Y DE VIDA
29 / 06 / 2018 - 14 / 09 / 2018
Publicación
Publication
+
Noticias
News
OSWALDO MACIÁ – ‘The Opera of Cross-pollination’ olfactory-acoustic composition presented at the first Riga Biennale June 2018
31/07/2018
1st Riga Biennial EVERYTHING WAS 1st Riga Biennial

EVERYTHING WAS FOREVER UNTIL IT WAS NO MORE

Speed is the form of ecstasy the technical revolution has bestowed on man… He is caught in a fragment of time cut off from both the past and the future; he is wrenched from the continuity of time; he is outside time…                           

Milan Kundera, Slowness, 1996

Change is a constant and imperceptible process. Nothing remains the same and yet it often feels as if things are fixed, solid certainties. Change operates in strange ways. ‘Ta panta rhei’ (everything flows), the ancient Greek philosopher Heraclitus pointed out, meaning that: everything is constantly changing, from the smallest organic particle to the whole universe. According to him, every seemingly stable object is ultimately a figment of one’s imagination; only change itself is real, being constant and in eternal flux, like the continuous flow of the river, which always renews itself and only appearsto remain the same over time. Until recently – and excluding those rarer radical moments of personal, social or political transformation – change has appeared to creep up on us slowly. But then it sometimes happens that one day we ‘wake up’ and experience a sudden break in consciousness. It abruptly dawns on us that our world has changed beyond recognition. We feel as if we have been thrust into the future, unwittingly. In recent years, and particularly since the advent of the technological revolution, it seems that even the Heraclitan constant flow of things has turned into a torrent. Our world seems to be ever accelerating. As James Gleick argues in Faster: The Acceleration of Just About Everything: “We have reached the epoch of the nanosecond. This is the heyday of speed”. The 1st Riga Biennial will reflect on the phenomenon of change – how it is anticipated, experienced, grasped, assimilated and dealt with at this time of accelerated transitions and the increasing speeding up of our lives.

More

...
Premio Arte y Mecenazgo, Fundación 
Award Arte y Mecenazgo, Fundación 
10/07/2018
espaivisor se complace en informarles de la co

espaivisor se complace en informarles de la concesión del Premio Arte y Mecenazgo 2018 de Fundación La Caixa, en su octava edición y en la «Categoría de Galería», a nuestro espacio. En la «Categoría de Artista» el premio ha ido a parar a Dora García, y en la «Categoría de Mecenas» a la Fundación Rosón Arte Contemporáneo. Nuestra más sincera enhorabuena a nuestros compañeros de premio.

El jurado ha considerado que nuestra galería ha sido, y es, referente en la dinamización de la creación artística en España y en la difusión internacional del arte español, reconociendo su profesionalidad y su programa, además de la excelencia en la intermediación entre artistas y coleccionistas a lo largo de sus 12 años de trayectoria.

En 2006 Miriam Lozano (Antella, Valencia 1965) y Mira Bernabéu (Aspe, Alicante 1969) relevaron a Pep Benlloch al mando de la galería Visor, que Pep gestionaba desde su fundación en 1982 impulsando desde ella el medio fotográfico dentro y fuera de España.

espaivisor ha mantenido la esencia de la antigua Visor, pero forjando un proyecto propio con la incorporación de nuevos artistas a la galería. Con ellos, Miriam y Mira han extendido la apuesta de la galería a otras disciplinas y refirmado su compromiso con la sociedad, la política, el feminismo y el contexto en el que se estamos insertos.

Vaya nuestro agradecimiento a aquellos que a lo largo de los últimos 12 años nos han ayudado, en lo personal y en lo profesional, a desarrollar el proyecto espaivisor. Gracias a los artistas por su apoyo incondicional, al equipo de la galería, a los coleccionistas, a los profesionales, y a nuestras familias, que siempre se mantuvieron a nuestro lado. Y muy, especialmente, a Pep Benlloch. Esperamos continuar mucho tiempo disfrutando de vuestro apoyo.

Gracias a todos. Gracias Fundación Arte y Mecenazgo "la Caixa".

Hasta pronto

+Info

...
espaivisor is pleased to inform you that F

espaivisor is pleased to inform you that Fundación La Caixa has distinguished us in its Art and Patronage Awards 2018, its eighth edition, in the Gallery category. The prize in the Artist category went to Dora García, and in the Patronage category to Fundación Rosón Arte Contemporáneo. We would like to extend our most sincere congratulations to our fellow winners.

The jury believes that our gallery has been, and is, “a benchmark in dynamising artistic creation in Spain and the international diffusion of Spanish art”, acknowledging its professionalism and its programme, as well as its excellence in liaising between artists and collectors throughout its twelve years so far.

In 2006 Miriam Lozano (Antella, Valencia 1965) and Mira Bernabéu (Aspe, Alicante 1969) took over from Pep Benlloch at the helm of Galería Visor, which Pep had run since it was first opened in 1982, turning it into one of the main driving forces behind photography both in Spain and further afield.

espaivisor has remained faithful to the essence of the former Visor, but has gradually forged a project of its own as new artists have joined our roster. Through their selection, Miriam and Mira have broadened the scope of the gallery towards other disciplines and reaffirmed their commitment with society, politics, feminism and our vital context.

We wish to express our gratitude to all those who have helped us over these last 12 years, both personally and professionally, to develop the espaivisor project. Thanks to the artists for their unconditional support, to the whole team at the gallery, to our collectors, to artworld agents, and to our families, who have always been by our side. And very especially to Pep Benlloch. We hope to continue enjoying your support for a long time to come.

Thanks to everybody. Thanks Fundación Arte y Mecenazgo "la Caixa".

And see you all soon

+Info

...
Hasta cota de afección. Patricia Gómez y María Jesús González
Down to the affected level. Patricia Gómez and María Jesús González
19/06/2018
21/06/2018 - 07/10/2018 IVAM Calle Guillem de Castro, 118 46003 Valencia 21/06/2018 - 07/10/2018 IVAM Calle Guillem de Castro, 118 46003 Valencia www.ivam.es

Adelantándose al treinta aniversario del IVAM el próximo año 2019, Patricia Gómez (Valencia, 1978) y Mª Jesús González (Valencia, 1978) plantean un proyecto específico para la galería 6 mirando hacia la historia del museo. Su proyecto se centra en la memoria social encapsulada y oculta en los muros de esa sala. Mediante un procedimiento muy próximo a la arqueología, las artistas extraen las capas de pintura que han ido cubriendo las paredes para hacer visible las huellas de la actividad que ha constituido año a año, exposición a exposición, el relato del IVAM.

Con esta acción, Patricia Gómez y Mª Jesús González proponen una reflexión sobre la construcción del IVAM como una suma de unidades estratigráficas que materializan de una manera metafórica los diferentes contextos y agentes que participan de la historia del museo y que conforman el espacio público que es el IVAM a partir de sus diferentes circunstancias políticas, económicas, culturales y sociales.

+info

...
Anticipating the IVAM’s thirtieth anniversary next year, in 2019, Patricia Gómez (Valencia Anticipating the IVAM’s thirtieth anniversary next year, in 2019, Patricia Gómez (Valencia, 1978) and María Jesús González (Valencia, 1978) are presenting a specific project for Gallery 6 with their eye on the museum’s history. The project focuses on the social memory encapsulated and concealed in this gallery’s walls. The artists use a procedure very close to archaeology to extract the layers of paint that have gradually been applied to the walls in order to reveal traces of the activity that has formed the IVAM’s history, year by year, in one exhibition after another.

With this activity Patricia Gómez and María Jesús González offer a reflection on the construction of the IVAM as a sum of stratigraphic units that metaphorically materialise the various contexts and agents that are part of the museum’s history and that shape the IVAM as a public space on the basis of its various political, economic, cultural and social circumstances.

+info
...
MUJER La vanguardia feminista de la década de 1970. Obras de la colección SAMMLUNG VERBUND, Viena
WOMAN The Feminist Avant-Garde of the 1970s. Works from the SAMMLUNG VERBUND Collection, Vienna
15/06/2018
Con una exposición de obras de la Colección SAMMLUNG VERBUND, el Museo de Arte de Stavanger pCon una exposición de obras de la Colección SAMMLUNG VERBUND, el Museo de Arte de Stavanger presenta uno de los fenómenos más importantes en la historia del arte de la década de 1970: la emancipación de artistas mujeres, que comenzaron a crear su propia imagen autodeterminada y colectiva de mujeres en un mundo de arte dominado por hombres. De acuerdo con el lema "lo privado es político", estos artistas reflexionaron sobre las expectativas sociales estereotipadas en sus obras.

La exposición se divide en cinco secciones: rompiendo las asignaciones de roles unidimensionales como madre, ama de casa y esposa, juegos de rol, encerrado, el cuerpo hermoso y la sexualidad femenina. Muchos de los artistas representados aquí se alejaron del género de la pintura dominado por los hombres y recurrieron a medios históricamente menos predeterminados como la fotografía, el video, el cine y el espectáculo. El director de la colección, Gabriele Schor, acuñó el concepto de AVANTGARDE FEMINISTA para este movimiento, como una manera de subrayar su importancia.

Artistas:

Helena Almeida, Sonia Andrade, Eleanor Antin, Anneke Barger, Lynda Benglis, Judith Bernstein, Renate Bertlmann, Dara Birnbaum, Teresa Burga, Marcella Campagnano, Judy Chicago, Linda Christanell, Lili Dujourie, Mary Beth Edelson, Renate Eisenegger, VALIE EXPORT, Esther Ferrer, Margaret Harrison, Lynn Hershman Leeson, Alexis Hunter, Sanja Iveković, Birgit Jürgenssen, Kirsten Justesen, Auguste Kronheim, Ketty La Rocca, Leslie Labowitz, Suzanne Lacy, Suzy Lake, Katalin Ladik, Brigitte Lang, Natalia LL, Karin Mack, Ana Mendieta, Rita Myers, Lorraine O'Grady, ORLAN, Florentina Pakosta, Gina Pane, Leticia Parente, Ewa Partum, Friederike Pezold, Margot Pilz, Ulrike Rosenbach, Martha Rosler, Suzanne Santoro, Carolee Schneemann, Lydia Schouten, Elaine Shemilt, Cindy Sherman , Penny Slinger, Annegret Soltau, Betty Tompkins, Regina Vater, Hannah Wilke, Martha Wilson, Francesca Woodman, Nil Yalter

El comisario principal es Gabriele Schor, director fundador de SAMMLUNG VERBUND Collection, Viena. Curadores en Stavanger son Hanne Beate Ueland y Vibece Salthe.
...
15. JUN 2018 - 14. OCT 2018 With an exhibition of works from the SAMMLUNG VERBUND 15. JUN 2018 - 14. OCT 2018

With an exhibition of works from the SAMMLUNG VERBUND Collection, Stavanger Art Museum is presenting one of the most important phenomena in the art history of the 1970s—the emancipation of women artists, who began to create their own new and collective self-determined image of women in an art world dominated by men. In line with the slogan “the private is political,” these artists reflected on stereotypical social expectations in their works.

The exhibition is divided into five sections: breaking out of one-dimensional role ascriptions as mother, housewife and wife, role-plays, locked up - breaking out, the beautiful body, and female sexuality. Many of the artists represented here moved away from the male-dominated genre of painting and turned to historically less predetermined media like photography, video, film, and performance. The collection director Gabriele Schor coined the concept of FEMINIST AVANTGARDE for this movement—as a way of underscoring its significance.

Artists:
Helena Almeida, Sonia Andrade, Eleanor Antin, Anneke Barger, Lynda Benglis, Judith Bernstein, Renate Bertlmann, Dara Birnbaum, Teresa Burga, Marcella Campagnano, Judy Chicago, Linda Christanell, Lili Dujourie, Mary Beth Edelson, Renate Eisenegger, VALIE EXPORT, Esther Ferrer, Margaret Harrison, Lynn Hershman Leeson, Alexis Hunter, Sanja Iveković, Birgit Jürgenssen, Kirsten Justesen, Auguste Kronheim, Ketty La Rocca, Leslie Labowitz, Suzanne Lacy, Suzy Lake, Katalin Ladik, Brigitte Lang, Natalia LL, Karin Mack, Ana Mendieta, Rita Myers, Lorraine O’Grady, ORLAN, Florentina Pakosta, Gina Pane, Letícia Parente, Ewa Partum, Friederike Pezold, Margot Pilz, Ulrike Rosenbach, Martha Rosler, Suzanne Santoro, Carolee Schneemann, Lydia Schouten, Elaine Shemilt, Cindy Sherman, Penny Slinger, Annegret Soltau, Betty Tompkins, Regina Vater, Hannah Wilke, Martha Wilson, Francesca Woodman, Nil Yalter

The main curator is Gabriele Schor, founding director of the SAMMLUNG VERBUND Collection, Vienna. Curators in Stavanger are Hanne Beate Ueland and Vibece Salthe.

...